Described as “serious whimsy” in the Washington Post, Hamashima creates theater with an emphasis on design, color, and form.
Full-length plays include: American Spies (Washington, D.C., The Hub Theatre, Helen Hayes Recommended, Winner of the 2018 Kennedy Center Undergraduate Playwriting Award and the University of Michigan Hopwood Award in Drama, Dennis McIntyre Prize, and The Roy Cowden Fellowship), Supposed Home (TheatreWorks Silicon Valley, Bay Area Playwrights Festival, Seattle Public Theater), Shoyu Tell (Lexington Children’s Theatre), Sellout (San Francisco Playhouse). Hamashima’s work has been presented or developed by the Kennedy Center, Stanford University, National Queer Theater, Lyric Stage Boston, the Workshop Theater, and the Japanese American Citizens League. They are the 2nd recipient of Seattle Public Theater’s $10,000 Emerald Prize and are currently under commission from San Francisco Playhouse. Hamashima is a graduate of the University of Michigan’s Musical Theatre Program.
Full-length plays include: American Spies (Washington, D.C., The Hub Theatre, Helen Hayes Recommended, Winner of the 2018 Kennedy Center Undergraduate Playwriting Award and the University of Michigan Hopwood Award in Drama, Dennis McIntyre Prize, and The Roy Cowden Fellowship), Supposed Home (TheatreWorks Silicon Valley, Bay Area Playwrights Festival, Seattle Public Theater), Shoyu Tell (Lexington Children’s Theatre), Sellout (San Francisco Playhouse). Hamashima’s work has been presented or developed by the Kennedy Center, Stanford University, National Queer Theater, Lyric Stage Boston, the Workshop Theater, and the Japanese American Citizens League. They are the 2nd recipient of Seattle Public Theater’s $10,000 Emerald Prize and are currently under commission from San Francisco Playhouse. Hamashima is a graduate of the University of Michigan’s Musical Theatre Program.
BAY AREA PLAYWRIGHTS FESTIVAL INTERVIEW |
SEATTLE PUBLIC THEATER INTERVIEW |
PURPLE CRAYON TYA PANEL |
SAN FRANCISCO PLAYHOUSE READING |
GARDEN STATE READING |